Posts Tagged video

Now Online: Zoic-produced ‘DeadSpace 2′ Reveal Trailer

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The Zoic-produced “Reveal Trailer” (NSFW language) for Electronic Arts upcoming sci-fi survival horror third-person shooter DeadSpace 2 is now available on IGN.com, along with IGN Rewind Theater’s funny and obsessive dissection of the trailer.

More info: “Reveal Trailer” and “IGN Rewind Theater: Reveal Trailer” on IGN.com.

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“Behind the Scenes of V!” – ZEUS Explained in 1 Min 44 Sec

v_zeus_screencap_630x354Actors Morena Baccarin (Firefly) and Laura Vandervoort (Smallville) with an unidentified boom operator on the greenscreen stage.

The official V site on ABC.com has posted a short (00:01:44) web video, in which executive producer Scott Rosenbaum explains how the sci-fi drama uses Zoic Studio’s ZEUS system to pre-visualize sets on the greenscreen stage. Visit the site, or watch the video embedded below.

More info: This video on ABC.com; “Zoic Studios’ ZEUS: A VFX Pipeline for the 21st Century” on IDYE; IDYE’s coverage of V.

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ABC’s ‘V’ Returns March 30th

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ABC’s sci-fi drama V returns from hiatus this coming Tuesday, March 30th at 9 pm (10pm central). Culver City, California’s Zoic Studios produces visual effects for the series, which is a re-imagining of the beloved 1980s miniseries. It stars Morena Baccarin (Firefly, Serenity), Elizabeth Mitchell (Lost), and Joel Gretsch (The 4400).

Zoic’s creative director, Andrew Orloff, discussed his excitement for the upcoming episodes.

It’s a big season, with a lot of surprises and a lot of new stuff. We’re spending a lot more time on the mothership. We’re getting a lot more into Anna, and the Vs and what they are really up to. We can’t give away too much, but there’s a lot happening, and a lot more to the visual effects — it’s going to be very cool. We’re continuing with the virtual set work we’ve been doing, and the virtual prosthetic work.

We’ll see a lot more of the V technology; we’re going to see a lot more of the V physiology; we’re going to see more of everything. We’re working a lot to create the reality of the whole environment. It’s going to be a lot of fun.

They’re really pushing the limits – it’s something that’s going to be really unprecedented as far as the scope of it. The scope is expanding astronomically for the first couple of episodes.

Be sure to watch the new episode of V, “Welcome to the War,” next Tuesday night at 9pm on ABC!

More info: “Zoic Brings Visitors to Earth for ABC’s ‘V’” on IDYE; the official V web site; “Welcome to the War” preview clips on VisitorSite.net.

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Zoic’s Race Day at the NASCAR Auto Club 500

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In February, members of the Zoic team were invited to attend the NASCAR Auto Club 500, part of the Sprint Cup Series, at Auto Club Speedway in Fontana, California. Zoic Studios has worked on a number of commercial spots for ESPN and NASCAR, and the trip was a way for the clients to thank the Zoic team.

The Zoic pros who attended the race included: CG Supervisor Michael Cliett, Senior Editor Dmitri Gueer, Commercial Creative Director Leslie Ekker, Executive Producer Steve Schofield, Producer Neil Ingram, and Lead 3D Artist Dave Funston.

Here’s a quick “sizzle” reel from the trip:

Cliett discussed his experiences from the trip, and shared his collection of photos.

“[The other] guys got race passes through Coke Zero,” Cliett says, “and I went as a guest of [advertising agency] Wieden+Kennedy. We did work for them on two ESPN NASCAR spots; ‘Dominoes,’ which has been all over the airwaves, and ‘Variables,’ which airs in April. They were gracious enough to give me a ‘Hot Pass’ which enabled me unlimited access to the pits and the drivers before, during and after the race.

“I took a lot of photo reference for future NASCAR spots. Every year we seem to produce one or two commercials with NASCAR as the primary theme, so it’s good to have future reference for that. And just witnessing the race, and the demographics of the racetrack itself, is going to help us in future production.

“One thing I really enjoyed about the race was being in the pits, being around the cars and the drivers. The drivers were spending time with their families and kids, and they went through these rituals. Some were doing calisthenics, some were praying. It was fascinating to see drivers like Jeff Gordon and Mark Martin, these guys who are NASCAR legends, to be up close and personal with these guys. Really seeing them on a human level, and not just as race car drivers, was pretty cool.

zoic3guysnascar_630x354From left: Zoic’s Steve Schofield, Leslie Ekker and Michael Cliett.

“The race was very exciting. The pit crews can change all four tires, fill the car with gas, and tighten the suspension, all this stuff, in 15 seconds or less, before getting the car out. Most of them are around 11-12 seconds – I timed a couple.

“The race was so loud – it was like being in the loudest nightclub you’ve ever been to, and standing directly next to one of the speakers. If you were standing two feet away from me and I was screaming at the top of my lungs, you wouldn’t have been able to hear me. It was very loud in the pits when they would roll in and the cars were coming by, but Les and the guys up in the stands said it was loud up there too — you had to scream to be heard. If you didn’t have ear plugs, you were going to have hearing damage. It was like 42 jet planes flying at full afterburner. At one point I even walked to the middle of the infield, the furthest away from the track. This track is two miles in diameter, so if you’re in the middle, you’re at least a half mile away from any car, and it was still loud there. You had to yell to be heard.

“I have a professional interest in NASCAR; but I’m also originally from Texas, so I’m a Southern guy at heart. My parents live in Tennessee right now; lots of their friends are into NASCAR, so they get very excited when they hear I’m working on a NASCAR spot. Apparently a lot of my parents’ friends, when they told them I got to go to the pits and be there during a NASCAR race, were very excited and envious. I’m a casual NASCAR fan – but I’m a car guy, a huge car nut, so anything related to cars, I’m interested in.

“I met Kyle Busch. He was the star of our second NASCAR spot, ‘Variables.’ He remembered [Zoic co-founder] Loni Peristere from Florida, where the spot was shot last November. He was about to get in his car, so we couldn’t talk too much, but I wished him good luck in the race. He said ‘thank you’ and to tell everyone at Zoic ‘hello.’

“I also met Kasey Kahne. We did a Budweiser commercial with him in January 2009. We originally shot that commercial with four live-action cars and no people in the stands, at Fontana. We ended up populating the race with all-CG cars, making it look like there was a real-live race going on; and then doing crowd replacement in the stands. That was a real fun spot. So I said ‘hi’ to Kasey, and he remembered us from Budweiser. Unfortunately, he spun out early on in the race, and did some damage to his oil pan. He came into the pits – I have pictures of his car getting worked on. He did finish the race, but I think he was last place.”

See Michael Cliett’s gallery of photos from the 2010 NASCAR Auto Club 500 below.

More info: Auto Club Speedway; Zoic Studios at the NASCAR Auto Club 500 photo set on Flickr; “Zoic Brings Photo-real CG to Broadcast TV with ESPN NASCAR ‘Dominoes’” on IDYE.

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Visitors Invade ABC Website, Add Lizard-Face(book) Technology

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Tomorrow (November 7th), the Disney/ABC Television Group will launch a new feature on ABC.com, that will allow users to view complete episodes of selected programs, and then create their own “commentary tracks” using their Facebook account.

The pilot episode of ABC’s new sci-fi series “V” will launch the ABC Social: Episode Commentary service, with commentaries by executive producers Scott Peters and Steve Pearlman.

From the press release:

To create and share their own fan commentary tracks, participants can go to ABC.com and log on using their Facebook account. As they view an episode in Commentary Mode, they can simultaneously add their own comments and read expert commentary, as well as see comments from their Facebook friends. Actions taken on ABC.com will be shared in the viewer’s Facebook stream, alerting friends to view the episode online and add their own comments…

Expert commentary featured in the Full Episode Player will vary from episode to episode and may include insights from a series’ producers, writers and directors, stars of the series, production and costume designers, music supervisors and network executives, among others.

Lizard-FacebookThe Hollywood Reporter points out that other networks, like ABC Family and NBC, have experimented with adding social networking capabilities to their online video content. But ABC appears to be the first to align its offering with a powerhouse site like Facebook, which has 300 million active users and Alexa ranking of 2.

ABC is experimenting with inserting advertising in the comment stream.

More info: ABC.com’s Full Episode Player; full press release on bythenumbers.tv; ABC introducing ‘Social’ Web tool on THR.com; IDYE on Facebook; Facebook on Alexa. Thanks to Miles Dinsmoor!

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‘Another Day at the Office in the VFX Industry’: A Film By The Zoic Interns

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Zoic has posted an excellent short video created by members of its 2009 Internship Program: Another Day at the Office in the VFX Industry.

Here’s the press release:

Zoic Studios is proud to host the Zoic Internship Program, an innovative course of study that combines real-world experience with professional mentoring. The program, based out of Zoic’s Culver City production facility, has been training the next generation of aspiring VFX artists for the last seven years.

Interns receive the same kind of instruction they would from a college curriculum, but in an actual digital production studio with weekly lectures by top industry talent and lessons that include hands-on experience. During the course of the curriculum each intern is assigned a mentor: an experienced Zoic staff member who provides professional advice and guidance.

Zoic interns will produce projects using the latest in equipment, software and production facilities. Each project is supervised by Zoic professionals who guide interns and the project from start to finish, exposing interns to real-life production issues.

The Zoic Internship Program allows each participant to produce professional work to anchor their demo reel; experience working on client projects; and mentoring by some of the top-talent in the entertainment industry, including producers, supervisors and lead artists.

This video, Another Day at the Office in the VFX Industry, was produced by a team from the most recent Zoic Internship class. It features live-action mixed with CG effects, and humorously presents a typical day at the Zoic offices – a train passing through the hallway, black lava flooding down the stairs, hologram keypads, hover seats, and armies of cloned interns.

The Zoic Internship Program is an unpaid, 16-week commitment held three times a year: January-April, May-August, and September-December. College credit may be available.

For further information or for application information, contact Brooke Brigham by email or fax: 310-838-1169; or visit the Zoic Studios Website.

For more info: Watch the video on the Zoic web site.

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